Former Megadeth guitarist Marty Friedman recently spoke with China's SKYline, and during the interview he discussed the importance of peforming in front of people. Check out the interview below.
Friedman: "I always say you must create opportunities to play in front of other people. When you play in front of people, your body says, ‘I must play my best because I don’t wanna mess up in front of people.' It’s a pressure. That pressure makes what you play much more effective. If you’re by yourself and you make a mistake or you play badly, there’s no pressure. No one cares, nothing happens, but when you’re playing in front of people, your body forces you to work harder. Practice in front of your sister, your brother, your family, your friends. Even if you’re in a very ‘beginner’ band, try to make little shows. Play in the park or play at a small club or restaurant. That’s much better than playing in your room.”
Friedman recently shared a new single, "Song For An Eternal Child", from his latest solo album, Drama. This track is accompanied by the album's second music video, available below.
Friedman: "The second music video from my album, Drama, reflects on a feeling that resonates deeply with so many of us—the inescapable sense that we’ve never really grown up. The same innocent, wide-eyed child I was years ago, discovering everything about life, is exactly who I still am today, and it seems I’ll always be that way. Directed by Takumi Osera, the minimalistic imagery in this video might even change the way you see yourself."
Friedman released his new album, Drama, on May 17 via Frontiers. Order the album here, and watch a visualizer for the album opener, "Illumination", below.
Marty Friedman's presence in the world of music, the world of guitar, and Japanese pop culture is mystifying, bizarre, and nothing short of inspiring. From his groundbreaking beginnings with Cacophony, alongside the legendary Jason Becker, to his pivotal role in propelling Megadeth to its peak of popularity with his breath-taking range and unorthodox melodic sense, Marty has solidified his status as a unique guitar icon.
Drama only slightly revisits the atmospheric elements of his acclaimed 1992 release Scenes, elevating them to a modern and exotic collection of epic, extravagant, and unapologetically emotional mini-symphonies.
Tracks like "Illumination" and "Mirage" transport listeners to captivating realms, evoking sudden tears and chills. The entire album spotlights Marty's mesmerizing melodies, game-changing arrangements, and heart-tugging motifs, even more than any of his previous work.
Recorded in Italy, where Marty had access to a treasure trove of vintage guitars along with his modern signature models, Drama is a pure delight for anyone who appreciates music that stirs emotions.
Tracklisting:
"Illumination"
"Song For An Eternal Child"
"Triumph" (Official Version)
"Thrill City"
"Deep End"
"Dead Of Winter" (English Vocal)
"Mirage"
"A Prayer"
"Acapella" (Guitar Solo)
"Tearful Confession"
"Icicles"
"2 Rebeldes" (Spanish Vocal)
"Illumination" visualizer:
Since moving to Japan in 2003, Marty has become a household name even beyond the world of music. Fluent in Japanese, he has appeared on over 900 Japanese TV shows of every variety, as well as motion pictures and commercials including an ad campaign for Coca-Cola / Fanta that ran for over two years. He was recently appointed an Ambassador of Japan Heritage by the Japanese government who also commissioned him to compose the "Japan Heritage Theme Song", recorded by Marty and the Tokyo Philharmonic Orchestra and is played at official government-related events. He has played the Opening Ceremony at the Tokyo Marathon 5 times, most recently in March 2024. Three books on Marty's life have been released in Japan and a brand-new full autobiography will be released worldwide later this year.
In addition to his legendary work with Cacophony and Megadeth, Marty has released fifteen solo albums starting in 1988 with Dragon's Kiss, and has had multi-platinum, platinum, and gold album sales awards in twenty-seven countries, achieving seven Grammy nominations to date. In recent years, Friedman has put out the distinguished, ongoing Tokyo Jukebox line, which, as the title suggests, is a series of albums featuring covers of Japanese songs starting with Tokyo Jukebox in 2009, Tokyo Jukebox 2 in 2011, and most recently, Tokyo Jukebox 3 in 2020. This series has become a go-to set for people all around the world who are fast becoming fascinated with Japan and its music.
Marty has played the Tokyo Dome, Budokan, and every major Japanese venue multiple times. He has toured Japan countless times with his solo music as well as alongside many legendary Japanese stars. Since the release of Tokyo Jukebox 3 in 2020, Marty has toured Japan twice, performed as a soloist with three major symphony orchestras, and made several TV appearances, most recently performing with Yoshiki of X Japan.
Since the pandemic, Marty and his band have toured the US twice and are planning to tour extensively for Drama.
Band Members:
Marty Friedman - Guitar
Wakazaemon - Bass
Gregg Bissonette - Drums
Mika Maruki - Piano, Keyboard & Synth
Hiyori Okuda - Cello
Miho Chigyo - Violin
Vocals on “Dead of Winter”: Chris Brooks (Like A Storm)
Vocals on “2 Rebeldes”: Steven Baquero Vargas
Bass on “Mirage”: Or Lubianiker
Rhythm Guitar on “Thrill City”: Naoki Morioka
Keys and Synth on “Sanctuary”: Takuro Iga
Drums on “Thrill City”: Chargeeeeee
Additional recording: Yukiko Takada, Jordan Rudess, Naoki Morioka, Maki Furugaki, Chris Brooks, Matt Brooks, Kent Brooks, Brian Becvar
