“Mythological occult metal” act Proscriptor McGovern’s Apsû has premiered a lyric/visualizer video for the third single taken from their debut/self-titled album, which is out now on Agonia Records. The song and video “symbolize a Fourth–Dimensional Universe in two dimensions as a square surrounded by 30 concentric circles,” as commented by the band's founder, Proscriptor. Watch the video and learn more about its symbolism below.
“The 30 concentric circles are known as the 30 Æthyrs or Aires,” Proscriptor continues. “The Watchtower Ritual (Liber Chanokh) consists of two ‘Adeptus Minor’ parts, which features an opening within and a closing without. The opening begins with three sacramental sections:
A) Invoking The Watchtowers (four quadrangle vibrations)
B) Rending The Veils (centralized self-placement of the multiverse)
C) Forming The Vortex (Crossing The Abyss)
Rending the veils places the ceremonialist to a South altar, which becomes the traversing process. Therefore, an anti–clockwise widdershin dissipates the vortex and the ritual’s temple is finally closed – classified as a totemic threshold. This lyrical machine, of the aforementioned topic, is so subtle that the most highly sensitized mind antennae cannot pick up its grossest vibrations. The spirit of magick remains inviolate, but the act of separating the self from any past shadow (and of fusing its essence with future semblance) is the act requiring noble skill – for it must be willfully achieved.”
Proscriptor McGovern’s Apsû constitutes a new incarnation and direct continuation of Absu’s legacy. Touted as one of the most important bands in the history of American Black Metal, Absu was dissolved by drummer/vocalist Proscriptor McGovern (Russ R. Givens) on January 27th, 2020, after 30 years of existence. Since the band’s last, unreleased album was to be penned as “Apsû,” McGovern fused the title with his name to form this new group, Proscriptor McGovern’s Apsû. Securing the ranks, alongside McGovern, are continuing bassist Ezezu (Absu: 2008-2020), new guitar virtuoso Vaggreaz (Possessed, Gruesome) and keyboardist Vorskaath (Zemial, Agatus). With this much anticipated, self-titled album, McGovern’s objective was to append the signature sound of “mythological occult metal,” but to convolute it with bouts of psychedelia, fusion and vintage electronics.
When asked about the album’s final outcome, McGovern stated the following: “Having the opportunity to assemble these band members, in the development of this album, was a remarkable honour and I strongly feel this album captures the band’s true, yet frenzied potential.” McGovern, who also produced and co–engineered the album, added: “I specifically appointed these three to augment and heighten the overall sound portrait of these recordings, hoping that our emphasis on ‘mythological occult metal,’ coupled with progressive and psychedelic elements, clutches the listener’s momentum. Most importantly, I highly commend Agonia Records for migrating our musical and arcane foresight onto the next level.”
The album was chronicled at studios around the world with final mixing handled in Dallas, Texas by both McGovern and J.T. Longoria (Absu, King Diamond, Solitude Aeternus) and mastering by Swedish Grammy nominee Karl Daniel Lidén in Sweden. The album also features guest appearances from Ross Friedman (Ross The Boss, ex-Manowar), Rune Eriksen (Aura Noir, Vltimas, ex-Mayhem), Alex Colin-Tocquaine (Agressor) and The Dark (Agatus).
In assembling the album’s packaging, the band re-commissioned the expertise of renowned Polish artist Zbigniew Bielak (Darkthrone, Portal, Watain). Not only did he administer the front cover, but also was assigned to create eight separate “plate illustrations” tailored around the lyrical conceptions. Regarding Bielak’s work, McGovern stated: “With incredible rapidity, he was able to resuscitate the artistic pulse after I presented the album’s subject speculations and lyrical themes. Some plate illustrations are affiliated with multiple songs; others integrated to only one song, yet Zbigniew perfectly surmounted each piece reflecting my oblique and ‘in–betweeness’ motifs.”
McGovern continues regarding the album’s lyrical approach: “This album was written for those who are curious and unwearied in their quest of arcane knowledge. I have (with vast exertion and detriment of time and space) collected knowledge deemed, in regard to my subject theories of ‘mythological occult metal:’ from Thelemic Magick and The Zos Vel Thanatos Formula to Fractal Ontology and (obviously) Near East Mythology.”
Formats:
- Jewelcase CD
- Digi Slipcase CD
- Clam–Shell Box CD (Limited To 1000 Numbered Copies With Pin & Front Cover Flag)
- Black LP
- Swamp Green LP
- Gold LP
- Mercurial Silver LP
- Ultra Clear LP
- Picture LP
- Mephitic Vapour Splatter LP
- Cassette
- Digital
Clothing:
- T-shirt 1 – Quasaric Pestilence (White On Black)
- T-shirt 2 – Tantrums Of Azag-Kkû (Black On Gray)
- T-shirt 3 – Logo With Sleeve Prints (Red On Black)
- Black HSW Zipper
Order here
Album stream:
Lineup:
Proscriptor McGovern – Drums/Percussion, Lyricism, Maestro Echoplex, Papago Flute, Digital Synthesizers & Voices (Protagonist/Dramatic Monologue Versus Omniscient/Interior Monologue)
Vorskaath – (Analogue & Digital) Synthesizers, Classical/Acoustic Guitar, Mellotron & Signal Generator
Vaggreaz – Electric Lead, Rhythm, Acoustic & Bass Guitar
Ezezû – Electric Bass Guitar & Implements
(Photo - Scott Kincade & M. Zvyagina)
