Absent In Body make their Relapse Records debut with the terrifying new album, Plague God, out March 25 on LP/CD/CS/Digital (pre-orders available here).
Today, Absent In Body share the second single, “Sarin''. Watch a music video below.
A message states: "Humanity its demise as a self fulfilling prophecy. The onslaught of information is not manageable for any empathic organism in this Universe. Driven into a corner, overtaken by our own self-destructive ways, Nature sends its beasts to settle things for good. Restore balance by fire, water, earth and wind. Until eventually mankind will eat itself. Facts are no longer facts, and Science appears to have been driven from its throne, by new gods of unintelligible information. The story told by a new breed, all awhile Sarin will sleep in your lungs tonight.
"The scream is mine. So loud.
But no one came. A funeral pyre.
Flames so high they burn the sky.
The awful pain.
Everywhere. On Gods domain.
The coming rain. It will swallow everything.”
“'Sarin' is also a direct hommage to Dwid Hellion, whom has written a song with Integrity of the same title, without him we would never have been introduced to one another, and AIB would never have seen the light of day."
Featuring current and former members of Amenra, Neurosis, and Sepultura, Plague God is bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance. Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound.
Album artwork by Sven Harambašić
Plague God tracklisting:
"Rise From Ruins"
"In Spirit In Spite"
"Sarin"
"The Acres/The Ache"
"The Half Rising Man"
"The Acres/The Ache" video:
In an era overrun by information, misinformation, unseen algorithms and viral contagion, to seek out what’s truly human in the face of overwhelming and unfathomable forces has perhaps become our most sacred of tasks. It’s an impulse that lies at the very heart of Plague God, the debut album from Absent In Body – the oppressive, industrial-driven collaboration by members of Amenra, Neurosis and Sepultura. Bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance, Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound.
Initially the brainchild of Amenra guitarist Mathieu J. Vandekerckhove, and Neurosis vocalist/guitarist Scott Kelly, Absent In Body formed in 2017. Immediately recognizing their kinship, and with Amenra frontman Colin H. Van Eeckhout brought in on vocals and bass, what emerged is a reflection of the intervening years of turbulence, extending it's scope as it navigates across five stretches of unstable terrain. From the opening “Rise From Ruins” with ex-Sepultura drummer, Iggor Cavalera’s tribal beat emerging from foreboding, near-subsonic oscillations to explode in a tide of corrosive riffs and feral howls, through “Sarin’s” steadfast, procession-through-purgatory groove, to “The Half Rising Man’s” matrix of organic/mechanic evolution, it’s an album in constant dialogue between the animalistic, the human and the industrial, and a hunger to distill a truth, something unpolluted from the fray.
Protest music is often perceived as a petition, or a counter-argument against a controlling force. There is another sense of protest, though, that of a machine under stress: articulating the pressures weighing down on it by means of an involuntary, primal response. It’s these states of critical mass at which we must truly find ourselves, under duress maybe, but unblinded and alive. Plague God doesn’t just give voice to these moments of truth, but in the band’s deep kinship integral to every claustrophobic judder, every stretch of atmospheric dread and helpless alias assumed, lies a freedom we both forget and attain at our peril.
(Photo - William Lacalmontie / Simon Kallas /Sven Harambašić)
